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Notes on the Writing of At First Sight
I started the novel in the last week of February 2005, and completed the
first draft in early June. In between, I went on a three week U.S. book
tour, spent another nine days on a book tour in England and Ireland, went
to Disneyworld for five days, and spent three days in New York. Keep in
mind that after each of those trips, it usually takes two or three days
to catch up in my office, and it's important to my wife (and me) that I
spend the weekends with my family. While I made a promise to myself after
my trip around the world that I would slow down, I had to put that promise
aside to finish the novel. It was a pressure-packed three months.
Fortunately, as far as the writing went, I had a couple of things going
for me heading into the project. First, I knew the characters and the setting,
I knew the character's voices and the way they talked, I had all the relationships
and back-stories worked out and I already had part of the ending completed
(all wonderful left-overs from True Believer). Yet, because of my deadline,
I knew I wouldn't have time to make mistakes, so I spent the first week
writing a detailed, forty page outline. I wanted to know exactly what was
happening chapter by chapter, and within the chapters as well. I don't usually
do outlines, but after this, I think I might change my mind. It did make
the writing go much more smoothly.
Strange, but as difficult as True Believer was to write, the writing of
At First Sight proceeded relatively smoothly. I worked four to five days
a week, putting out 8,000-10,000 words or so. Still, it was difficult to
get into a rhythm, since I was forced to travel so much. I would work for
two weeks, travel for three weeks, work for a week, travel for a week, work
for two weeks, travel for a week. . . work for three days, gone for three
days. . . despite the steady progress, I found myself wishing that I could
simply strap myself into my chair so I could finish the novel in one fell
swoop.
I suppose that this novel would fall into the easy-to-write or medium-to-write
category. While I found it difficult to escape the pressure of
the ever-encroaching deadline the novel was completed in about ten weeks
(Spread out over four months). Still, because I'd taken no break between True
Believer and At
First Sight, I had more than a couple of days where I threw myself
an old-fashioned temper tantrum. I'll be honest; I don't like deadlines,
even when they're self-imposed. Still, I was thrilled with the final product.
The editing on the novel was simple: the first draft came in relatively
close to the final product. As is typical, we ended up cutting 15% of the
novel. I'm more than happy to cut, since it helps to keep the pages turning,
and in the end, it's the mark of efficient writing. The most challenging
part of the editing process was the timeline: the novel covers a ten month
period, so I had to note every instance in the novel where I wrote something
like, "a week later," or "as June approached." Because
of the outline, it had come in fairly accurate, but I was glad I went over
it.
On an, "I betcha didn't know this!" note: I suppose I should
admit that I have a tendency to use some words more than others. I think
all writers are this way, since everyone is a creature of habit and usually
it's not a problem as long as you fix them before the final version is published.
Since I know what words I tend to overuse (no, I won't tell you which ones
they are), I simply run a computer search for them, then delete them wherever
I can. In this book, there were fourteen words I focused on -- and wow,
I really overused a couple!. I made the necessary deletions, and I'm hopeful
that you won't be able to figure out what the original words were.
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